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Neil Gaiman's experience directly contradicts her belief as well.Дisclaimer: I made some passive money selling software and I've been damaged by piracy (so much that I had to stop selling). I don't see how her 'proof' proves anything other than the fact that piracy exists. It was not that she wanted to avoid a scenario where the only way fans could get a book they were eagerly awaiting was to pirate it, she just wanted to avoid the e-arc copy being the copy which is pirated. She didn't want the e-arc released for book 4 for the wrong reasons. She does see how the piracy on book 3 hurt her on book 4, but doesn't seem to believe that the root problem was that the only way for legitimate fans to join an ongoing discussion about the piracy-released version of her book was to also pirate the book.

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Yet her whole story is pointing out that there was a point in time when a whole bunch of people were eagerly awaiting book 3 but the only actual way they could get it was to download a pirate copy of the 'e-arc'. > someone who pirates the book was never going to buy it anyway, so itвЂ™s not a lost sale. But I'd also imagine that book sales are hit harder than music and movies (at least to the artists). Most people interpret this as 'well that's messed up'. Especially when they see that an ebook is more expensive than the physical one. I would suspect people take this same notion to books.

Or knowing an artist gets chump per album sold (or worse when streaming).

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A $20 movie (before popcorn) for an hour and a half of 'ehh' and the studio made tens of millions of dollars in box office.

It's not hard to see, especially with the first two. Music is often used as background noise too, and I imagine this changes the psychological impact of piracy.ДЄlso, I think I lot of people feel like the movie studios, record labels, and publishers are just over charging them. Like someone might pirate a movie because they 1) can't find it playing in theaters around them (more common than you think) 2) friends told you not to waste your money 3) you're bored of the shit on Netflix and need some other background noise while you browse the internet. Many times people will sit down to watch a movie they don't care much about just to kill time, or put it on in the background. (assumption: everyone that would actually purchase the book intends to read it) If you are going to read a book you're really going to invest time into it. My reasoning:Д«ooks take a lot of effort to get through.

Anything past that is crony capitalism.ДЄre there studies about how piracy affects different industries? I would imagine that books are different than movies or music.

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The price of an item should be the cost of the item plus a modest profit margin. I avoid phones without removable storage for this reason, I avoid apple products ever since I got my first apple product as a gift, for this reason. In this view the value of an e-book comes from the fact its cheaper, trying to charge more for that removes the whole point.Д«ut in a larger view, I have always looked at value based pricing as cancerous. I don't see e-books as a convenience, I see them as a more cost effective and eco-friendly way to obtain books because you don't have to pay for the paper, the binding, the press, etc. Things like limited runs of e-books (fucking really?), charging more for e-books, or releasing paperback weeks before the ebook are all consumer visible business. When business becomes visible to the consumer you run the risk of the consumer not liking the business. If the ebook is higher than the book i'd likely pirate it out of principle. As a consumer I care about a cost centric view.

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